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The In Between Is Fashion at the Intersection of Architecture and the Body [Editorial]

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Dress: Aleksander Revas, Cuff: Dayana Montoya


In the space between structure and the human form, a dialogue unfolds, a conversation of containment and motion, order and expression. Architecture frames, supports, and delineates, offering boundaries that define space, while the body animates and transforms, breathing life into these rigid lines. It is in this interplay that energy emerges, a charged in-between where form meets movement, and potential vibrates in every shadow and contour.


Photographer & Creative: Alicia Portillo

Producer: Anna Madelena

Model: Blanca Pachon Guisado

Stylist: Fatima Ropero

Casting Director: Autumn Jensen

HMUA: Natalia Avila

Gaffer: Lidia Luque




Left: Bag: Poléne Paris , Necklace: Poléne Paris , Top: Chambre de Fan , Earring: Poléne Paris

Right: Dress: Alsedá, Earring: Camille Surault


Textures play a pivotal role in this dynamic. Fabrics fold and drape like walls, their surfaces interacting with skin, light, and shadow to create a tactile choreography. Stitching becomes a seam between worlds that binds architectural precision to human expression. Each garment is both barrier and conduit, holding space while allowing the body to speak through motion.


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Top: Simora, Pants: Chambre de Fan, Cuffs: Fernando Rodriguez, Shoes: Vintage


Light and shadow contribute to the narrative, tracing the contours of both fabric and form. Beams of sunlight or the subtle glow of artificial lighting carve shapes and teasing the eye with hidden details. Shadows whisper secrets of what is contained and what is free, emphasizing the delicate balance between the structured and the organic.


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Dress: Artola Couture , Rings and cuff : Camille Surault


This editorial positions fashion as a bridge between architecture and the body, a medium through which the rigid becomes alive. The collection moves with the wearer, translating geometric lines and sculptural forms into fluid gestures. The interplay between hard edges and soft curves invites viewers to reconsider how clothing can exist as both art and utility, function and expression.



The concept engages with a broader narrative of human experience. It asks us to reflect on how environments shape movement, how spaces influence posture and presence, and how the garments we wear can dialogue with our surroundings. The editorial emphasises that fashion is not merely decorative but is integral to understanding the body within its spatial context.


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This exploration of architecture, body, and fashion offers a versatile and visually striking narrative. It merges creativity with thoughtful storytelling, making it ideal for publications that value the intersection of art, design, and fashion. By capturing the energy of the in-between, the editorial invites audiences to inhabit a world where structure and movement coalesce in harmony, and where every fold, seam, and shadow tells a story.



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