Photographer: David Reiss Is it more important to make someone cry or laugh when dealing with a “serious” subject? Most films dealing with cancer seem to believe that the former is the only way forward. In comes “Sunny Dancer”, the sophomore feature from George Jaques. It’s a movie much more interested in everything else about what makes a person beyond the diseases they deal with. The film follows Ivy (Bella Ramsey), a seventeen-year-old girl who is forced by her parents (Ja

Joel Harper-Jackson was always keen to meet the man beneath the legend. There are some people whose influence has become so rooted in our culture that the temptation is to imitate them before you understand them. Frank Sinatra is one of those figures, think of his voice, his phrasing, the way he tilts of his hat, maybe even the effortless confidence that seemed to follow him across every stage. All of these have been studied, imitated, and then celebrated for decades. Actor

Go see it for yourself, make sure you don’t know anything about it. There’s been a string of films this year that capture this sentiment we once thought lost to a sea of reboots and fan service, and it all started with A24’s “The Drama.” The dark comedy starring Zendaya and Robert Pattinson as soon to be married couple Emma and Charlie, respectively, was rolled out with a pretty secretive marketing campaign. For good reason as it is the rare film that turns on its head in the

Ultimate Men’s HQ (UMHQ) has introduced John Russo as the platform’s Host and Lead Men’s-Performance Guide, creating a recognisable voice for its growing library of educational content, product research and consumer guidance.

Two couples. One apartment. For the entirety of Olivia Wilde’s The Invite, that is all the film needs to reel you in. What begins as an uncomfortable dinner between neighbours gradually becomes something far more complicated. Olivia Wilde’s third feature delves into the complexities of love and sex with an engaging comedic tone. Yet for a film so physically confined to one location, The Invite rarely feels visually contained. Still from The Invite, directed by Olivia Wilde, A

Music deserves spaces designed for listening. Not background noise, not a soundtrack to conversation, but environments where every note has room to breathe.

Although most were wary of seeing The Devil Wears Prada in theatres again, this is one of the few sequels to prove it had a clear reason to return. Through budget cuts, correcting Miranda on politically incorrect language, and creatives scrambling to find a way to sustain their livelihoods, it catapults itself into 2026 in a genuine way.

Long before a camera rolls, a film begins with a face. The search for that face—the person who can embody a character and bring a story to life—has always been one of filmmaking's most important creative decisions.