Classroom Chronicles: The Brit Boys Bring Brotherhood, Laughter and Real-Life Experiences to the Stage

One night only. 29 October 2026.

What started as a 15-minute piece at The BRIT School has grown into something much bigger. On 29 October, Classroom Chronicles, the debut play from emerging collective the Brit Boys, took to the stage at the National Youth Theatre as a 1 hour and 14-minute production, bringing together comedy, musical talent and conversations that extend far beyond the classroom.

For those unfamiliar, The BRIT School is the UK's leading free-to-attend performing and creative arts school, providing a unique education to more than 1,300 students aged 14 to 19. Here students can specialise in disciplines spanning music, film, digital design, community arts, visual arts and design, production and performing arts. Its alumni include some of the UK's most recognisable creative names, including Adele, Amy Winehouse, Tom Holland, Olivia Dean and RAYE. It is within this environment of creative freedom and opportunity that the Brit Boys first found their footing.

Photo Credit: Rah Petherbridge

Written and performed by four young Black creatives, Mahmood Akinsemoyin, Frederick Konneh, Nana Peprah-Mensah and Kyan Rowe, the production explores the realities facing young people both inside and outside of school. Through the experiences of its four central characters, Ahmed, Marfo, Olanrewaju and Zachary, audiences are introduced to the ways African identities, social care, literacy and reading difficulties, bullying and faith can shape the behaviours, relationships and experiences of young people navigating life within the education system.

While its subject matter carries considerable weight, Classroom Chronicles never loses its sense of humour. Comedy runs throughout, balanced by impressive musical performances and moments that feel both familiar and deeply personal. At its heart, however, is a story about brotherhood: the friendships formed, the experiences shared and the understanding that can develop between young people who may be navigating more than those around them realise.

Photo Credit: Rah Petherbridge

The Brit Boys first came together during their first year on the Musical Theatre course at The BRIT School. Having built an audience on TikTok, the collective began developing their own material, with Classroom Chronicles marking their first major theatrical offering. Before reaching its current form, the group showcased a 14-minute extract at the Global Majority Showcase, curated by Lorraine Woodley-Bitmead.

Photo Credit: Charlie Lyne

It was there that the production caught the attention of Steven Kavuma (Director) and Moesha Francis (Co-Producer). Having watched the showcase, Francis encouraged Kavuma to take the piece further, recognising the potential to develop it into a full-length production. What followed was the evolution of a short school performance into the ambitious production audiences experienced at the National Youth Theatre.

As a footwear designer at Kickers, Moesha Francis helped cultivate the partnership with the brand, bridging the worlds of emerging creative talent and British youth culture. With Kickers holding a longstanding place at the forefront of British school and youth fashion, its involvement feels particularly fitting. The partnership reflects a continued commitment to championing emerging talent and creating opportunities for the next generation of creatives to develop their voices and bring their ideas to life.

Photo Credit: Charlie Lyne

Morley's also supported the evening, providing food for guests, while family and friends filled the room to show their support. Among those in attendance were Amelia Dimoldenberg, Munya Chawawa, Remi Burgz and Ope Sowande (Classroom Chronicles' Producer and former Love Island contestant) adding to an evening that celebrated both the production and the young talent behind it.

Photo Credit: Charlie Lyne

There is something particularly special about seeing a collective of young creatives take ownership of their stories and transform their shared experiences into something that can be enjoyed, questioned and recognised by an audience. Classroom Chronicles does exactly that. It reminds us that the classroom is rarely just about what happens during a lesson; there are personal circumstances, social pressures and individual battles that young people bring through those doors every day.

For the Brit Boys, this is more than a debut play. It is an introduction to what they can create when given the space, support and opportunity to tell their stories on their own terms.

And if there is one thing left to ask after this one-night-only showing, it is this: who is going to give Classroom Chronicles the stage it deserves next?

A production with this much heart, humour and relevance deserves more than a single night. Here's hoping London's theatres are ready to welcome the Brit Boys back.

Photo Credit: Charlie Lyne